For the spring I’m starting a Love Letter series, the first is Love Letters to Henry Miller, a collection of 9 collaged paintings that will be displayed here and elsewhere online. The first picture is the complete series hanging now in the studio. As they are presented in the next blogs, for each artwork I’ve selected notes from my journal, followed by a quote from Henry Miller. (more…)
There are four days until the summer solstice, which happens at 11:45 AM, ET this Friday. This is part two of my self-directed assignment to record in painting the spring birds and flowers that arrive here at Sunwise Farm and Sanctuary. Is there anything more uplifting than to see the first flowers pop up, often through snow? (more…)
As we approach the summer solstice next week, I am completing my self-directed assignment to record in painting the spring birds and flowers that arrive here at Sunwise Farm and Sanctuary. The Red Winged Blackbirds started showing up early in March, soon they were coming by the thousands (more…)
My art friend, Patti Edmon had a great idea to post her best artworks from 2018, so I followed suit with two categories, color and black and white. What are your nine best? (more…)
New Paper and Bead Artifacts
This week I finished some paper and bead artifacts that have been in process for a while. One reason I like opening my studio four times a year, is for the deadline effect. I love creating the work, the creative challenge, for myself because I know I’ll always be accountable to myself to finish what is started. (more…)
Summer Atlas, Part 2
Our summer was mild, not so humid and not so hot. That meant I could paint outside on the north porch more often. My knees were bothering me, so it was more comfortable to sit rather than stand as I usually do. I was out of ideas, so I began these three pieces by moving the brush in a continuous line until there was no more paint. Then like a child (more…)
Most artists I know are regular traders, swapping their work for pieces from other creative types. Such trades typically have very little to do with money — they’re mostly about trading ideas & inspirations. That’s what makes them so valuable.
All month I’ve been allowing myself to explore new directions using new materials. Sometimes I judge myself for having scattered imagery. The analyzer in me likes to know what I’m doing, like, why choose these shapes, these colors, does it follow the track I’ve been on, should it follow? When I see a consistency, even if subtle and might not have an overall appearance of being related, I confirm to myself that I in fact do know what I’m doing. I need visual proof.
I was rather stunned to see right before my eyes this triptych oil from 1990 that has what I call ribbons coming down from above. It is a recurring image that is freighted with meaning, and so almost automatic in my mark scribing that I take it for granted. They represent a celebratory sense of opportunity, of party, of constant available energy, of prayers answered.
After finding this small detail of the triptych mate, “Long Path to Peace”, I sectioned off areas of my latest watercolor landscapes that illustrate this point.
Celebrating Mid-Autumn, Studio Update
As of the Mid-Summer studio update, I thought things were settling down, but things have been busier than ever with art coming and going from the studio, there is a lot to share in this mid-season studio update. We are so grateful that the hard work of summer is behind us, our gardens fed us well, our milkweed has created a butterfly sanctuary. This is a favorite time of year, the time when we can slow down and count our blessings, Samhuin, the night of the Ancestors, is just past. (more…)
Beyond the Horse
Beyond the Horse exhibit featuring 20 artists at tribeca trunk was seen by appointment.
Considering the spirit beyond the representational rendering of horse, ancient earthwork tributes come to my mind, thus the idea for Talisman for White Horse 1 and 2. (more…)