Daily Art Practice part 2
Continuing with the equinox ~ equinox project, I remember being so in love with the spring. Everything was so fresh, (more…)
Continuing with the equinox ~ equinox project, I remember being so in love with the spring. Everything was so fresh, (more…)
For an equinox ~ equinox project, I have challenged myself to do a blog series about my daily art practice (more…)
My chapter, From Inner Realms to Outer Worlds: An Artist’s Time Journey, in Geography of Time, Place, Movement and Networks, Volume 1: Mapping Time Journey Experiences, has just been published by Springer Nature Switzerland. My husband, Greg Orth’s chapter Amateur Archaeology and the Mystery of Daniel Boone’s Footprints: Persistent Myths Collide with Native American Indian Archaeology in Volume 2 has also been published! (more…)
When I turned 50, I was unsure about my path forward as an artist. After living in Boulder for 28 years, I was faced with a decision to move. I was questioning if I, through my art, had enough recognition to be supported as an artist and healer. (more…)
It’s the kind of message all artists long to receive in the inbox, especially if it originated from the contact form on their website: “I have your pencil drawing from the Daily Camera in 1971 on my wall. I’d like to send you a photo for your enjoyment. You sold it to me for $5.00 back then!”
Sometimes I make myself crazy over what colors to choose from (54 watercolors in my main palette with movable pans. Plus (more…)
Golden Section rectangle has the property that if you remove a square from it, the remaining space is another Golden Section rectangle. This is the design format I took as a departure for the series “Phi, Φ”, a series of 36 watercolor collages (more…)
After a discussion about self portraiture, my student began to draw her first self portrait. We talked about how we are the only ones who (more…)
Author: Greg Orth, footnote by KO’B
“At the recent Open Studio event held by my wife Kathleen O’Brien, I was lucky to have a chance to talk about our homestead, and the 22 years spent developing Sunwise Farm and Sanctuary. In doing so I was reminded of some of the decisions made (more…)
In 1988 I wrote: “I am attracted to petroglyphs in a deep way. They came from a time when art was an integral aspect of community, when the artist was a healer. Even though scientists are reluctant to give meaning to these symbols I think ancient artisans knew that the power of manifesting an image was to cross the bridge to spiritual nourishment. “Bridge Across Time” was the first oil painting in a series of over 100 that depict petroglyphs. (more…)